TWISTER 1996 (PRODUCED)

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  • Hello, Cyclone!  You will see a cow(or two) flying by mooing just like in Dorothy’s version and a boat—minus the fisherman. In fact, producer Spielberg’s tornado is chockfull of goodTwister cow stuff.   I think I even spotted the insane tractor trailer from Duel!  See War of the Worlds, Super 8, Poltergeist for more cyclonic ‘clinking, clanking, clattering collections of caligenous junk’.
  • The intro shows a defining moment in Jo’s childhood when a tornado unexpectedly strikes in the middle of the night.  On her bed is a Toto-like terrier named Toby who, despite scampering at Toto-speed, almost doesn’t make it into the storm cellar. See The Adventures of Tintin.  Also see War of the Worlds for another unsafe storm cellar!
  • Is it me or does Jo’s old farmhouse sport that ‘air of grayness’?  Re-occurs when Bill prepares  ‘Dorothy’ in the hailstorm; there is a shot up the curving, hilly road with fence-posts.  The color washes away to black and white and—for a moment—viewer is back in Kansas. The absence of color hints things may get a bit hopeless. See E.T. the Extraterrestrial, War Horse, Schindler’s List, Twister, Joe Vs. the Volcano, Twilight Zone the Movie Kick the can Episode, Poltergeist. 
  • The telemetrical prototype is named ‘Dorothy’.
  • Looked to me like the footbridge Jo and Bill cower under during first tornado was identical to  Victor Fleming’s old fave in WOO and GWTW. See A.I. for more detail on similar sets.
  • At the drive-in, Bill’s new girlfriend is in her room when a gust suddenly blows the window curtain inward.  This is a classic Spielberg sign that life is about to radically change for her as it did for Dorothy after the bedroom window knocked her out cold.  Sure enough, Melissa breaks up with Bill moments later. See Empire of the Sun, Catch Me if You Can, Hook, Twilight Zone the Movie Kick the can Episode, Joe vs. the Volcano, Poltergeist. 
  • We glimpse Judy Garland on the TV at Aunt Meg’s house before the F-5 hits.
  • Aunt Meg’s artwork consists of giant whirligigs that chime conspicuously to warn us the Big One is coming.  When Jo gets the idea of how to make the measuring devices inside ‘Dorothy’ fly, we hear chimes.  Chimes sound again when the pinwheels fly up inside the twister.  WOO always forewarned us of Glinda’s approaching magic with chimes.   See Always, A.I., E. T.,The Color Purple, Jaws, Close Encounters, Empire of the Sun, Super 8, Twister, Twilight Zone, Joe vs. the Volcano, Poltergeist.
  • At one point, in F-5 you will see an exact replica of Gales’ farmhouse roll by on its side—an amusing twist on the classic shot of its rooftop from above shown in WOO and other Spielberg films. See Minority Report, Raiders of the Lost Arc, Close Encounters.
  • The main characters dash on foot through a field of sunflowers…a sure sign they will prevail over trials ahead.  Certainly the WOO companions did after surviving the poppies. Fields test characters and generally mark turning points in Steven’s works. See Always, Saving Private Ryan, The Color Purple, Lost World Jurassic Park.
  • Interesting references to Sugarland Express: the entourage of rival black SUV’s that dog Bill’s company echo back to that long line of cop cars.
  • Also a repeat of the red and yellow color scheme can be found at the drive-in.  See Indiana Jones and the Last Crusade, Schindler’s List, Jaws, 1941, Joe vs. the Volcano, Inner Space, Jurassic Park, Used Cars, Sugarland Express, Poltergeist for other homages to the red and yellow commercial for Technicolor devised by WOO.
  • Also Jo and Bill defy Lou Jean’s opinion that ‘it don’t do no good runnin from a tornado‘ by doing exactly that! See  Minority Report, War Horse, WOO for references to “Run, Toto, run”.
  • Despite the utter destruction wreaked by the F-5, the conclusion shows a family’s home unscathed. The haven untouched. Sanctuary. See See Twister, Close Encounters, Empire of the Sun, Catch me if You Can, Minority Report, Amistad, The Color Purple, Munich, Poltergeist, The Terminal for safety of home.

THE COLOR PURPLE 1985

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  • Repeated over and over are the wind chimes tinkling, preceding every important moment of change in Celie’s life. We hear clinking or tinkling signaling magic, danger, change in so many of Spielberg’s films. The device is inspired by WOO’s Glinda. Unlike the witch who shocked and frightened children  each time she appeared, Glinda politely let you know to expect her arrival with a recurring fanfare of chimes.  See Always, A.I., E. T., Jaws, Close Encounters, Empire of the Sun, Super 8, Twister, Twilight Zone, Joe vs. the Volcano, Poltergeist
  • Shug dances from the speak-easy to her father’s church with a parade of born-again sinners coming down road behind her.  The scene brings to mind many instances where WOO crowds follow Dorothy and her entourage. We see such accompaniment repeated in The Terminal, Joe vs.the Volcano, Twister,  Catch Me if You Can, Sugarland Express, Used Cars.
  • Shug is the trickster, a bad woman, a sinner, who nonetheless shows the meek Celie how to fight for what she wants. Her courage and indomitable spirit transcend her mischievous behavior and inspire and push our protagonist to achieve her goals. See Wizard of Oz, See Empire of the Sun, Lincoln, Munich, Saving Private Ryan, A.I., Always, Goonies, Jaws, Catch Me if You Can. Schindler’s List, Used Cars, Joe vs. the Volcano for other examples of tricksters.
  • The girls running and leaping through the field of flowers evokes the same pure joy and hero_EB20040328REVIEWS08403280301ARcamaraderie Dorothy and pals experience upon reaching the poppies outside of Emerald City. The act of  a protagonist crossing a field often precedes a major plot point in Steven’s films. See Twister, Saving Private Ryan, Lost World of Jurassic Park, Always.
  • Celie inherits her family’s former house when her raunchy stepfather dies. This windfall marks a turning point in her life. She finds security, autonomy, peace, and eventually joy after she returns ‘home’.  The WOO promise!  See Twister, Close Encounters, Empire of the Sun, Catch me if You Can, Minority Report, Amistad, Munich, Poltergeist, The Terminal for other examples of home as the sanctuary.
  • Mother is finally reunited with her children, a slight variance to the definition of ‘home’.  See Empire of the Sun, A.I., Sugarland Express, Hook, Saving Private Ryan, War of the Worlds, Close Encounters, Catch me if You Can, Poltergeist, Jurassic Park (to Grampa) and WOO (to Auntie Em) for reunions of children with loved ones.