A.I. ARTIFICIAL INTELLIGENCE 2001 (wrote & directed)

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Ahhhh….the mother-lode of WOO!

  • Professor Marvel’s (AKA Wizard of Oz) hot air balloon has a cameo role as the rounder upper of expendable robots for the flesh fair’s show.
  • Gigolo Joe with his tap dancing on road and curb—not to mention his clever patter—brings off a respectable homage to Scarecrow’s, Tinman’s, Lion’s best song and dance antics.
  • Going to Rouge (red) City to ask Dr. Know=going to Emerald City to ask Wizard (rouge alternative to ruby as in slippers?) See The Terminal, Minority Report for other quests to find ‘wizards’.
  • ‘All roads lead to Rouge City’=Follow the yellow brick roadstill-of-jude-law-and-haley-joel-osment-in-a.i.-artificial-intelligence-(2001)-large-picture
  • Dr. Know appears in explosion of light, however only his head and hands show up. The Great Oz too appears as a talking head. Both are tricky fellows who don’t play fair all the time. Dr. Know counts off the first bogus question unfairly and his answers to the others aren’t quite correct. Professor Marvel/OZ  was a manipulator/showman pretending to know more than he did. See See Empire of the Sun, The Color Purple, Lincoln, Munich, Saving Private Ryan, A.I., Always, Goonies, Jaws, Catch Me if You Can. Schindler’s List  for tricksters.
  • Teddy is as loyal a companion to David as Toto is to Dorothy.   Like the little dog, he is occasionally very helpful getting David rescued—like at flesh fair.
  • The quest imposed by Dr. Know on David to find the Blue Fairy (to become real so Mommy will love him and let him come home)=Dorothy’s quest to witch’s castle to fulfill wizard’s bargain to get her home. For more quests, see Always, Amistad, Joe vs. the Volcano, Tintin, Poltergeist,
    Twister, Sugarland Express, Lincoln, War of the Worlds, Minority Report, The Goonies, Close Encounters of the Third Kind, Saving Private Ryan, Munich, Jaws, Inner Space, The Terminal, Schindler’s List, Super 8, Raiders of the Lost Arc, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade, Indiana Jones and the Kingdom of the Crystal Skull, Catch me if You Can, Always, Twilight Zone the Kick the Can episode,
  • Home references abound. “If I become a real boy, can I come home?” “After I find the Blue Fairy, then I can go home.” “Teddy, we’re Home!” almost verbatim Dorothy’s, “Toto, we’re home!” “Mommy, we’re home.” See Jaws, War Horse, The Terminal, Sugarland Express, Close Encounters of the Third Kind, Empire of the Sun, Catch Me if You Can, Saving Private Ryan, War of the Worlds, Super 8, 1941, Amistad, Minority Report, Hook, Poltergeist for other characters anxious to get home to safety.
  • The Blue fairy’s gentle voice is so reminiscent of Glinda, good Witch of the North.  With creepy, modulated kindness,  both sorceresses pound in nail-hard facts.  Your mommy’s dead. The witch is after you. The road is long. You had to find out for yourself.
  • David sleeps at the end, home at last with Mommy dying. He goes to a place ‘where dreams begin’. Dorothy sleeps as tornado strikes, then after clicking heels of ruby slippers, wakes up at home, ‘her dream ended’. Where is home really? Here in physical world or there in dreams? See Joe vs. the Volcano.
  • Tinkling wind chimes in a window signify magic is coming…David will find Mommy waking up. This pre-magic moment (or significant change coming moment) presaged by a tinkling sound appears in many Spielberg films. You will remember that we always knew Glinda was coming when we heard the chimes begin.  See Always, E. T., The Color purple, Jaws, Close Encounters, Empire of the Sun, Super 8, Twister, Twilight Zone, Joe vs the Volcano.
  • Check out the  Gone with the Wind  scenery look-alike when Gigolo Joe is silhouetted next to a tree as robots scavenge for parts in the dump. (see War of Worlds, War Horse). For a long time I attributed this scene and several others in various Spielberg pictures to GWTW.  Recently though, I realized the small bridge where Scarlett shelters in creek with horse as the Union army crosses is awfully similar to one seen in Wizard of Oz when Dorothy runs away to Professor Marvel. Victor Fleming directed both films so it seems plausible that he found a double use for that particular bridge…and maybe the set with the tree and split rail fences as well? I realize King Vidor directed much of WOO, especially Kansas scenes, but does that preclude possibility that Victor and he occasionally shared sets?  Is Steven purposely doing the same thing?
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WAR HORSE: 2011

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  • When Joey is rescued from the barbed wire and brought back to camp, snow begins to fall…and that begins the healing for both horse and Albert from Devon. In WOO, snow falling on poppies is the antidote to their poison. Glinda banishes  the sleeping death and secures the companions’ momentary release from witch’s evil influence. Snow revives Dorothy and the lion, cures them and sets them back on the path of life, eventually to find their way home.
  • Going home (to Mom) once again shines as the beacon for the main characters (boy and horse) in this movie. See Empire of the Sun, A.I., Sugarland Express, Hook, Saving Private Ryan, War of the Worlds, Close Encounters, Catch me if You Can, The Color Purple, Poltergeist, Jurassic Park (to Grampa) and WOO (to Auntie Em).
  • When Colin walks through No Man’s Land, he is reciting a prayer for courage, like a mantra…the Lord is my shepherd. This is reminiscent of the WOO mantra ‘lions and tigers and bears oh my’. See Minority Report for another mantra.
  • No Man’s Land recalls the landscape where the witch’s castle was located, dark, bleak, and barren. We reach for courage in a terrifying, evil world. Also I am reminded of the Kansas landscape, black, grey and white, tumbleweeds deserted roads before the tornado strikes. This ‘air of grayness’ was an effective device in WOO to portray hopelessness. See E.T. the Extraterrestrial, Schindler’s List, Twister, Joe Vs. the Volcano, Twilight Zone the Movie Kick the can Episode, Poltergeist
  • Bells ring at the announcement of end of War as they do in Lincoln at passing of 13th.   It’s a WOO thread: “Ding-dong, the witch is dead.”  Evil has been extinguished. Triumph of the perseverant!
  • The sweet, chubby German who reluctantly must do his job—warhorses under his direction will die pulling artillery—looks suspiciously like the tenderhearted Gatekeeper of Emerald City, AKA gatekeeper for Oz’s Hall. Same center part in middle of slicked down hair, mustache, and body type. Same sentimental character that disobeys orders to help hero.  If he had a slightly bigger part, I’d call him a trickster.images-6
  • This German hollers out ‘Run! Run!’ to Joey, the horse, encouraging him to escape. Dorothy hollers to Toto at witch’s castle, “Run Toto, run!” See Minority Report, Sugarland Express, Twister.
  • At the end, when Joey and Albert get home, look at the sunset scenery for a very GWTW homage to Victor Fleming who also directed WOO.  See A.I., War of the Worlds.