A.I. ARTIFICIAL INTELLIGENCE 2001 (wrote & directed)

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Ahhhh….the mother-lode of WOO!

  • Professor Marvel’s (AKA Wizard of Oz) hot air balloon has a cameo role as the rounder upper of expendable robots for the flesh fair’s show.
  • Gigolo Joe with his tap dancing on road and curb—not to mention his clever patter—brings off a respectable homage to Scarecrow’s, Tinman’s, Lion’s best song and dance antics.
  • Going to Rouge (red) City to ask Dr. Know=going to Emerald City to ask Wizard (rouge alternative to ruby as in slippers?) See The Terminal, Minority Report for other quests to find ‘wizards’.
  • ‘All roads lead to Rouge City’=Follow the yellow brick roadstill-of-jude-law-and-haley-joel-osment-in-a.i.-artificial-intelligence-(2001)-large-picture
  • Dr. Know appears in explosion of light, however only his head and hands show up. The Great Oz too appears as a talking head. Both are tricky fellows who don’t play fair all the time. Dr. Know counts off the first bogus question unfairly and his answers to the others aren’t quite correct. Professor Marvel/OZ  was a manipulator/showman pretending to know more than he did. See See Empire of the Sun, The Color Purple, Lincoln, Munich, Saving Private Ryan, A.I., Always, Goonies, Jaws, Catch Me if You Can. Schindler’s List  for tricksters.
  • Teddy is as loyal a companion to David as Toto is to Dorothy.   Like the little dog, he is occasionally very helpful getting David rescued—like at flesh fair.
  • The quest imposed by Dr. Know on David to find the Blue Fairy (to become real so Mommy will love him and let him come home)=Dorothy’s quest to witch’s castle to fulfill wizard’s bargain to get her home. For more quests, see Always, Amistad, Joe vs. the Volcano, Tintin, Poltergeist,
    Twister, Sugarland Express, Lincoln, War of the Worlds, Minority Report, The Goonies, Close Encounters of the Third Kind, Saving Private Ryan, Munich, Jaws, Inner Space, The Terminal, Schindler’s List, Super 8, Raiders of the Lost Arc, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade, Indiana Jones and the Kingdom of the Crystal Skull, Catch me if You Can, Always, Twilight Zone the Kick the Can episode,
  • Home references abound. “If I become a real boy, can I come home?” “After I find the Blue Fairy, then I can go home.” “Teddy, we’re Home!” almost verbatim Dorothy’s, “Toto, we’re home!” “Mommy, we’re home.” See Jaws, War Horse, The Terminal, Sugarland Express, Close Encounters of the Third Kind, Empire of the Sun, Catch Me if You Can, Saving Private Ryan, War of the Worlds, Super 8, 1941, Amistad, Minority Report, Hook, Poltergeist for other characters anxious to get home to safety.
  • The Blue fairy’s gentle voice is so reminiscent of Glinda, good Witch of the North.  With creepy, modulated kindness,  both sorceresses pound in nail-hard facts.  Your mommy’s dead. The witch is after you. The road is long. You had to find out for yourself.
  • David sleeps at the end, home at last with Mommy dying. He goes to a place ‘where dreams begin’. Dorothy sleeps as tornado strikes, then after clicking heels of ruby slippers, wakes up at home, ‘her dream ended’. Where is home really? Here in physical world or there in dreams? See Joe vs. the Volcano.
  • Tinkling wind chimes in a window signify magic is coming…David will find Mommy waking up. This pre-magic moment (or significant change coming moment) presaged by a tinkling sound appears in many Spielberg films. You will remember that we always knew Glinda was coming when we heard the chimes begin.  See Always, E. T., The Color purple, Jaws, Close Encounters, Empire of the Sun, Super 8, Twister, Twilight Zone, Joe vs the Volcano.
  • Check out the  Gone with the Wind  scenery look-alike when Gigolo Joe is silhouetted next to a tree as robots scavenge for parts in the dump. (see War of Worlds, War Horse). For a long time I attributed this scene and several others in various Spielberg pictures to GWTW.  Recently though, I realized the small bridge where Scarlett shelters in creek with horse as the Union army crosses is awfully similar to one seen in Wizard of Oz when Dorothy runs away to Professor Marvel. Victor Fleming directed both films so it seems plausible that he found a double use for that particular bridge…and maybe the set with the tree and split rail fences as well? I realize King Vidor directed much of WOO, especially Kansas scenes, but does that preclude possibility that Victor and he occasionally shared sets?  Is Steven purposely doing the same thing?
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JAWS 1975

  • Jaws_045Pyxurz Alex’s mother appears in the midst of the harbor’s competitive chaos.  Everybody in town is debarking.  They hope to win a fabulous bounty for catching the man-eating monster. Mrs. Kintner is dressed all in black. Like the Wicked Witch of West, she cleaves through the center of crowd.  You recall how the Munchkins hailed Dorothy in raucous celebration until witch sucked their joy away?  The bereaved mother has same effect here. With vitriolic demeanor, she confronts Martin in an angry threatening speech, beating him down as the witch did Dorothy.
  • There are several clinking, tinkling interludes in this movie that warn you the shark is coming, like the WOO signal  that let you know Glinda was on her way.  Unlike the soundtrack music that tricks you sometimes…this prescient clinking is never wrong. The buoy rings as the girl goes for her dip, a warning the shark is going to get her.  Before Alex and Tippett get chomped listen to the background music for orchestral chimes.  Those two won’t escape.  There are no chimes in the famous roast beef scene because the fisherman escapes, but you will hear them at the pond when the helpful man falls out of his boat and becomes shark bait.  Listen for a flat drumming knell when Hooper dives around Ben Gardner’s disabled boat before he finds the gory corpse. Even when Orca’s crew is chasing and being chased, despite music implying danger, suspenseful clicking of fishing pole, beeping of monitor, you only hear the chimes to verify doom.  No chimes when shark initially toys with broken boat but when they tie on three barrels, Jaws gets mad.  He goes after them and then the chimes sound.  Someone is going to pay.  When he eats Hooper’s cage the chimes are silent; Hooper will survive.  When the ship is sinking and the bell tolls, Quint will soon be a dead man.  The bell rings again right before Martin shoots the gas canister that blows the shark to smithereens at which point you will hear a profusion of happy chimes while pieces sink!  See Always, A.I., E. T.,The Color Purple, Close Encounters, Empire of the Sun, Super 8, Twister, Twilight Zone, Joe vs. the Volcano, Poltergeist.
  • I have seen this film dozens of times, two or three at the movie theater when it first came out.  It is one of a handful that never fails to suck me in as I try to click by.  I thought I had noticed everything WOO until recently I became aware of the heavy use of red and yellow color scheme: Amity’s billboard, beach decor, costumes the extras are wearing, Ben Gardner’s boat scene, the man’s red and yellow dinghy on the pond, Alex’s yellow raft covered in blood, yellow barrels, red lifejackets, the Orca herself.  And here’s an interesting detail: the Orca’s paint job changes frequently.  Watch how she starts out with yellow letters on a red transom.  Then she goes to an all red stern with black hull…perhaps as a better backdrop for yellow barrels?  At one point before the boat burns, the stern even seems to turn yellow!  WOO, one of the first color films ever made employed its eye-popping hues to best advantage, most notably ruby slippers against the yellow brick road.  See  A.I., E. T.,The Color Purple, Always, Close Encounters, Empire of the Sun, Super 8, Twister, Twilight Zone, Joe vs. the Volcano, Poltergeist.
  • On the 4th of July an army of bicyclists debark from the ferry.  See E.T., Munich, Adventures of Tintin, Amistad, 1941, Always, Super 8, War of the Worlds, Empire of the Sun,The Goonies, Sugarland Express, Inner Space, Used Cars.  If there’s a way to squeeze a bike in, Steven will find it… even in a film that is set primarily on water!
  •  Quint, of course, is the lovable trickster.  His methods are questionable, especially when he destroys the radio that might have saved them all.  But Martin’s quest to kill the monster would not have been fulfilled without Quint’s maniacal manipulation.  See Empire of the Sun, The Color Purple, Lincoln, Munich, Saving Private Ryan, A.I., Always, Goonies, Jaws, Catch Me if You Can.
  • The happy ending shows our survivors coming in sight of home as they swim. See references to safety of home, Empire of the Sun, Close Encounters, Catch Me if You Can, Amistad, The Terminal, Munich, Saving Private Ryan, Poltergeist etc.