SUGARLAND EXPRESS 1974 (wrote & directed)

  • If you haven’t seen this in a few decades like me, it’s worth re-watching. Somehow I mis-remembered it as a Smokey and the Bandit farce—which it definitely is not.  Great character development throughout.
  • Spielberg wrote the script based on an actual event. Did the project appeal to him specifically because it centered on an individual quest that attracted a huge procession of followers, even well-wishers? Check out two scenes: one where Lou Jean asks for hair curlers etc. and the one where they drive through the center of town’s impromptu parade. This pageantry echoes back to Munchkinland and Emerald City, both of whose populations cheered Dorothy on to her adventures with the same pomp and enthusiasm. See The Terminal, Joe vs.the Volcano, Twister, The Color Purple, Catch Me if You Can for other calvacades.
  • By the way, there is a small sign outside the parade town that reads Val Verde, Spanish for Green Valley…symbolizing Emerald City?  
  • Early on is the favorite backlit moment when innocent Baby Langsdon opens the front door of the Sugarland house. Interior of house is dark and shadowed, outside is brilliant….alluring but full of danger. That is the classic image of how Dorothy enters OZ. Langsdon’s father will be fatally shot right out there. The scene is Lu Jean and Clovis hair sugarlandrepeated later with grownups at the door: however, they perceive the threat and begin to collect the fragile vases.  See Saving Private Ryan, Close Encounters, 1941.
  • After the massive police car pile-up, Lou Jean suddenly realizes her errand is no longer just a personal mission. All the hoop-la will not fade away once she’s accomplished what she set out to do. “Clovis, honey, don’t do no good runnin’ from a tornado,” she prophecies. There will be no safe place for them, just as getting home was not enough to prevent the twister’s power from sucking Dorothy up into its maelstrom. See WOO, Empire of the Sun, Close Encounters, Catch Me if You Can, (1941)  for other instances where ‘home’ did not live up to its illusion of safety.
  • Steven’s love of kids and bikes is spotlighted. At one point, a bunch of mischievous boys ride through the center of a roadblock despite the cops’ protestations. At another, the vigilante complains when he finds his flashers have been commandeered to adorn the handlebars of his son’s bike. See Munich, Adventures of Tintin, Amistad, 1941, Always, Super 8, War of the Worlds, Empire of the Sun,The Goonies, Sugarland Express, Jaws, Inner Space.
  • cop car promenade sugarlandThere is a predominant color palate in this film of red and yellow. Clovis has red hair, Lou Jean blond. Clovis wears a red and yellow plaid shirt. The interior of the Sugarland house is done in red and yellow. Red and yellow fringe decorates the Car Dealership’s lot where they spend the night. The motor home is red and yellow, inside and out. The TV/radio van that inspired all the publicity is red and yellow. Before they enter the downtown parade, there is a lingering shot of the yellow traffic signal with its red light shining. As they proceed, the interior of car is aglow with red roses juxtaposed against yellow gold stamps. Many shots of crowds show extras dressed in stand-out reds and yellows. Just before Lou Jean, Clovis and their hostage crash the final time, you see red road signs against golden turf. The entire film features gold and red sunset skies. One of the enduring Clovis red yellow sugarlandimages of WOO is the close-up of Dorothy’s ruby slippers with the yellow brick road as the backdrop. Schindler’s List, Jaws, 1941, Joe vs. the Volcano, Twister, Inner Space, Jurassic Park, Used Cars, Indiana Jones and the Last Crusade.
  • Do I even need to point out that the entire caper is to get Baby Langsdon home to his real mother where he belongs? See Empire of the Sun, A.I., Hook, Saving Private Ryan, War of the Worlds, Close Encounters, Catch me if You Can, The Color Purple, Poltergeist, Jurassic Park (to Grampa) and WOO (to Auntie Em).
  • NOT WOO BUT… Let me urge you to sample this early Spielberg if for nothing more than to check out the scene where Lou Jean points out Roadrunner playing at the drive-in next-door. Clovis provides his own soundtrack for her amusement. When Coyote takes his final dive, Clovis foresees his own demise. Absurdly awesome.
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